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results 1-20 of 89 item(s)  page 1 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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1. [Bookseller's Tickets for Zephirin Chapeleau] [Bookseller's Tickets for Zephirin Chapeleau] 1) In black ink on green paper, the bookseller's ticket consists of a thin black border surrounding black text.
2) In black ink on green paper, the bookseller's ticket consists of a wavy black border surrounding black text.
3) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text.
4) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text.

2. [Bookseller's Tickets for W. Drysdale] [Bookseller's Tickets for W. Drysdale] 1) Printed in black ink on bright green paper the diamond-shaped booksellers ticket features a line border surrounding the name (first line), services offered (second line), street address (third line) and city (fourth line) of the company.
2) Printed in black ink on white paper the diamond-shaped booksellers ticket features a line border surrounding the name (first line), services offered (second and third line), and city (fourth line) of the company. Small leaf designs in each of the four corners.
3) Printed in dark blue ink on white or cream paper the booksellers ticket features a thick border surrounding the name (first-third lines), services offered (fourth-sixth lines), street address (seventh line) and city (eighth line) of the company.
4) Printed in black ink on bright orange paper the diamond-shaped booksellers ticket features a two-line border surrounding the name (first line), street address (second line) and city (third line) of the company. Decorative wavy lines above the first and second lines and below the third line.
5) Printed in black ink on light pink paper the diamond-shaped booksellers ticket features a two-line border surrounding the name (first line), street address (second line) and city (third line) of the company. Decorative wavy lines above the first and second lines and below the third line.
6) Printed in black ink on white paper the diamond-shaped booksellers ticket features a line border surrounding the name (first line), services offered (second line), street address (third line) and city (fourth line) of the company.

3. [Bookseller's Ticket for R. & C. Chalmers] [Bookseller's Ticket for R. & C. Chalmers] In black ink on yellow paper, the bookseller's ticket consists of a decorative border surrounding black text.

4. [Bookseller's Ticket for James Bain] [Bookseller's Ticket for James Bain] In black ink on white paper, the bookseller's ticket consists of a serpentine black border with decorative elements in the four corners surrounding black text in roman and italic type.

5. [Bookplate] [Bookplate] In brown ink on white or cream paper, the bookplate consists of a thin border surrounding brown text, with the name of the company/library in a Roman-style font.

6. [Bookplate for Winfred Overholser] [Bookplate for Winfred Overholser] This bookplate's design is a pictoral scene of a tall ship at sea, with gales of wind blowing at the sails and water. Bookplate text at base. In black ink.

7. [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back.

8. [Bookplate for William Brophy] [Bookplate for William Brophy] In black ink on white or cream paper, the bookplate consists of an architectural, Egyptian-themed border with lotus flowers all around, a Sphinx in the lower right, and Egyptian wall art in the lower left. Below the school name and above the location is a monogram made of the letters CSV. Five fonts used for the text, with spaces for hand-written annotations naming the prize recipient.

9. [Bookplate for W.H. Smith & Son] [Bookplate for W.H. Smith & Son] Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.

10. [Bookplate for W. Gordon Mills] [Bookplate for W. Gordon Mills] In black ink on cream paper. This image depicts a nighttime scene with a single star in the sky and two evergreen trees silhouetted in front of a lake and mountains. Superimposed upon this landscape, a lyre sits next to a scroll which reads "Sonata Apassionata" (sic) and has notes from the score. The initial "M" is in the lower right hand corner as a possible signature.

11. [Bookplate for Vincent Stuckey] [Bookplate for Vincent Stuckey] In black in, this bookplate consists of and escutcheon divided per pale. The dexter half is divided per bend sinister, or (gold), azure (blue) and dove-tailed, and charged with a lion, rampant and ermine with a tail queue fourché. At the dexter chief of the half is an azure canton charged with a mascle, or. The sinister half of the escutcheon is identical to the dexter, except that at it also contains a crescent at middle chief. The escutcheon is crested by a straight crest wreath and a demi-lion with tail queue fourché, ermine and charged with a mascle, azure. Below the escutcheon is a banner containing the Latin motto.

12. [Bookplate for Vancouver School of Theology Centre for the History of Biblical Interpretation] [Bookplate for Vancouver School of Theology Centre for the History of Biblical Interpretation] Blue ink on white paper. Pink text in rubber stamp ink.

13. [Bookplate for Union des Commis-Marchands] [Bookplate for Union des Commis-Marchands] Text is printed in a numbered list, surrounded by a line border resembling chain.

14. [Bookplate for Toronto Public Library by J. E. H. MacDonald] [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.

15. [Bookplate for Thomas Taylor by James Cole] [Bookplate for Thomas Taylor by James Cole] In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto.

16. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

17. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

18. [Bookplate for Stanley Harrod by T. Z.] [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.

19. [Bookplate for Stanley Harrod by S. Harrod] [Bookplate for Stanley Harrod by S. Harrod] Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.

20. [Bookplate for Sisterhood of St. John the Divine] [Bookplate for Sisterhood of St. John the Divine] A bird encircled by the convent's motto with the name of the convent library written above and below.
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